In 1905, he founded his first gallery, Gallery 291, as a place for Photo-Secession to present their work and the work of other international photographers. The thesis provides background information on Stieglitz, his collection at the MMA and Camera Work, along with detailed description of the project, cataloguing methodology, and an illustrated appendix listing and illustrating each of the 191 collection objects with their respective issues and reproduction methods. In 1903, Stieglitz and a few like-minded photographers broke off from the Camera Club formed Photo-Secession, a photography club that advocated for the photographic medium. The 191 prints and photographs in the Stieglitz Collection, which are associated with reproductions in the journal, are cross-referenced within the newly created bibliographic records. This thesis is an applied project that focuses on cataloguing Camera Work in The Museum System (TMS), the MMA's collection database system. When Alfred Stieglitz began publishing Camera Work in 1903, he already had five years of experience editing Camera Notes, the house journal of the Camera. The Department of Photographic is home to 733 photographic objects by Stieglitz and artists whose work he collected, and 349 publications from Stieglitz's library, including his personal set of Camera Work, a journal he conceived published, and edited from 1903 to 1917. Create lists, bibliographies and reviews: or Search WorldCat. He was also known for his portraits and landscapes, which often. Search for Library Items Search for Lists Search for Contacts Search for a Library. The Metropolitan Museum of Art (MMA) holds a significant portion of the personal art collection of Alfred Stieglitz (1864-1946), photographer, publisher, gallery dealer and champion of photography. His most famous works include The Steerage (1907), The Terminal (1908), and Equivalents (1925). Many of the early twentieth centurys finest examples of photography and modernist art reached their widest audience in the fifty issues.
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